hailing from adelaide, australia sonny foderas story is starting to gain momentum, having started producing music at a young age he has established himself as one of australias premier deep jackin house djs and producers, artist/remixer. having played along side the likes of chuck love, john larner, derrick carter, the littlemen, audio jack, james curd to name a few, sonny fodera is renowned for his consistently high quality dj sets. as a producer/remixer, sonny fodera continues to exploit his raw musical talents and ever expanding skills with this smokin new release on guest house!!!

starting with the first note of >abc< mr. ho s warm beats are melting into our erdrums, down our spine, sending shots of musical temptation into our legs that give one clear order: dance!

following the success of mylo on breastfed, linus loves has now set up 2112 to showcase his own productions & latest signing, burns. prom night has that linus loves chirpy-bleeped-loopy-synths & smooth ambient balance, starting in a progressive italo-disco manner then slowly buffing its body & picking up speed till it reaches the crowd-cheering climax followed by the moment when all the mixes fall down & the linus loves reinterpretation of the digitalism-zdarlight-synth-guitar-break takes you through a hypno-euphoric intermission / journey before the great powerful departure. burns remix is the dinosaur version of prom night, injecting the original with vulgarity, a tough exterior & makes it more aggressive .dutch superstar don diablo provides the final mix a more breaks led interpretation using the zdarlight guitar riff. radio support plays on pete tong, kissy sell out, sarah main

the mission : bring together 18 international hybrid pop breakthroughs for the summer. for who: those who havent made their way into the jungle of the web and nouveautes in the past few months. fans of todays pop & rock. those who like unexpected hits, and who generally believe that some tracks deserve a 15 days life online. the frame: hybrid pop (except in one case), freshness, air du temps (anxiety-tinted-cheerfulness?), slightly-twisted-lightness. the base: a compilation. remember keeping the faith, artificial intelligence, c86, respect for france, source lab... and the effort behind your own, home made ball pen illustrated mix-tapes. compiling its all about sweat, attention and skills : suspense, respirations, cliffhangers and (not) happy ending... this one says it all on the cover artwork: starting all pop & girly then progressively twisting. you will notice that every sisters support are illustrated by different pictures of virile women and other men accepting their femininity. some of them will be edited as collectors silk screens and might get exposure in paris in july...come have a drink if youre around.

the debut of sardinian mono records is committed to touane (resopal, persona, minisketch), mr bizz (tanto quanto, monomental, rohs!records, pong musiq) and to the same ness & bettosun (6th studio, splitsound, clonk records, nuhar records).
centred on a typical sound that include percussions and melodies, this release is developed starting from the guest touane that, so inspired, give us warm and involving melodies enriched by percussive elements really personally and never presumed. side b submited by ness & bettosun and the mr bizz duo, close the record with 2 tracks with an house taste with ethnic and hypnotic influences.

the latest gigolo release is one for the summer! aptly titled hot it comes courtesy of ivano coppola and christian prommer, the former being one of italia s most respected dj s and the latter being, amongst other things, one of the main collaborators for hells critically acclaimed album teufelswerk. taking a sample from willie ninjas classic record hot and building a track around the chords and the vocal leads us to our starting point ivano coppola plastic mix!
ivano coppola has been the resident dj at milan s plastic club since 1992, so it is fair to say that he knows what works on a dance floor, or, to use a popular phrase, what is hot and what is not. it is with this historical knowledge that we find the genesis of our track. i found it necessary to go back in the past, to start producing once again in a 90 style - using samples. the next step was to come back into the future and reach out to christian prommer, highly respected by many including ivan i consider (christian prommer) one of the best producers of the moment! he loved the idea, the remix was huge, and so we decided to co-produce the record. simple!!!
but, for christian this was more then a remix, hence the co-production credit! i liked the idea of translating an early 90 s house-music-sample in to a sample-style-percussive-techno-tune. lots of live played drums and percussion in this one, of course. i only later learned that the sample we used is from one of my house music heroes, maws louie vega. naturally the record found its way into the hands of gigolo in the best way possible, and in the tradition of such a great record label – i played it at the gigolo night in munich and hell came to me dancing and took the tune into his heart.

played by richi hawtin, dominik eulberg, dj hell. kaiserdisco, mihalis safras, elektrik indigo, gregor tresher and many more. drowning pianos... urgent sounding basslines? extrawelt have written 3 brand new tracks for traum. starting with >mit liese auf der wiese<, this chicago house injected track has a classy touch, with electric pianos modulating, keeping a nice balance between techno and electro. we really think the seemingly effortlessness and the analogue feeling make this a bit of a classic. support by dj hell, richie hawtin, gregor tresher.

quite a unique ep, very atmospheric. lots of styles here, starting out with ambience, breaks and ragga/dubstep, becoming more melodic and gentle but ending up funky, moody & minimal, exploring resonant frequencies and harmonics.

dave dk needs no introduction, since his debut moodmusic album “lights and colours” he s been busy travelling the world preaching his trademark electronic deep house sound and remixing florian kruse, tigerskin and seva k for labels baalsaal, global underground and dirt crew among other things. for the new moodmusic release dave packs 2 tracks from the album in new edits as well some major remix biz from ada (areal, irr) and russ gabriel (mobilee, ferox) remixing cinema paraiso was ada s choice, the epic floating, almost balearic feel to it fitted perfectly the fine hand of ada and her perfect production values. starting with a rough 303 bassline, building an intense but deep affair buidling into a hypnotic frenzy of old school acid and modern electronics ! from the feedback from the few selected djs who got their hands on this gem, ada s remix is allready in groove mag top-10 ! the b-side coimbra, a rocking house belter with neat sample editing and the dave dk bassline juggling between the low end and the ultra low sub. russ keeps much of the original intact, deepening the groove with his funk injected beats and some lush detroit influenced chord action like we know and love from him. as a bonus we include the original mix for those vinyl lovers out there !

2002 classic release!!

the innervate label is starting to get noticed and the releases are getting better and better. another funky piece of not to be missed techo vinyl by the likes of pedro delgardo, fer br and dj mika.the concept of the label is to keep pure techno growing as it deserved in all his forms. and it works! for all fans of labels like adult, patterns, spilo and more.

part of the various production remix series, come another 7inch. various production remixing the majestic buds by pumajaw. starting with a wave of mystery, quality and limited vinyl releases, various survived a bidding war (warp, leaf, domino..) in 2006 to release their first full length on xl/beggars, the world is gone. detailed and highly original scattered beats and dark soundscapes balance out with forgiving female vocals. their work is enriched visually by the iconic art of bonesy, often featuring strange animals and beautiful women in flowing, neutral, yet somehow emotional forms.

dionisis sternaras aka dio s, is an exciting greek producer that gives us his second release here, a two tracker ep of gigantic proportions. starting in a deep chuggy prog style gives a false impression of whats to come.. the track turns a dramatic thunderous corner , after the drop!

faste is back with rico puestel from germany offers here a huge 3 tracker ep titled >have you seen babba yaga? < great example of rico style starting with a1 >your poke<. a bunch of bleeps and cuts subtle arrangements and heady shuffle melodies. >your poke< is your thing to kick the floor! on a2 >segundo< with shuffle rythmics and heady synths. keep an eye on the break with the arrive of a low unexpected melodic sitar guitar for a brilliant atmosphere turn. great moment! on the flip >soul calyx< track - special mention for this so original cut. mental and loud! rico keeps heady pianos and incive drums. lot of lot of sounds indeed - just enough to keep an extra tension all track long. do not miss!

safe and sound comes our starting in the spring of 2009. when first flowers bloom and the asphalt smells sweet a bit like summer, then spring-time is just around the corner. the spring in electronic music is expecting the next vinyl by hammeschmidt & lentz. this lp is a high-quality creation of musical arts including inspirations of new expeditions through parts of the world in the recent past. three of these expedition reports are now available on a 12 vinyl. the main result of intensive research is: if the slogan yes, we dance! would be more present at more places in the world, it surely would be more pleasant in whole life. well, say yourself every day: yes, we dance!

alan abrahams, the man behind portable, emerged out of the ruins of a post apartheid south africa. growing up in an impoverished cape town township, tagged >beverly hills< by the locals, abrahams was always immersed in his sisters ritual of getting ready for a night out to a soundtrack of 80s soul, hi life and hip hop. inspired by the first batch of chicago house records, the foundations were laid for his future in music. experimenting with ways of combining traditional african rhythms with the 4/4 sound of house,abrahams completed various projects in south africa. most of which gave a commentary to the political turmoil of the country at the time. abrahams inevitably became frustrated by the geographic isolation of the country and relocated to london in 1997. in the uk abrahams went on to complete various releases for internationally recognised labels such as context and background records before starting up his own label, süd electronic in 2002

ltd backstock !!! label chief and king of nyc late night mythology, francois k returns with a bit of his patented deep space madness. starting with a tempo reminiscent of a 45 played at 33 1/3, a delicate plucked bell-synth bathed in a medium hall reverb leaves ethereal impressions and late night energy. as the melody drops a minor third, another enchanting counter melody joins the mix and adds a rather divine legato styling. after the lead fades out, a percussive interlude full of syncopated noise hits develops: leaving room for a break that reintroduces the main vibe and instills a sense of resolution. the flip carries a remix from quiet village, who has been starting deep space nights with positively solid performances. taking a more club-hyped approach, this rework pounds forward with a massive rumbling kick drum and an underlying noise wash. the main lead gets some serious filter and delay treatment making for a more progressive drive and a versatile dancefloor hook. tweaking things a bit at the break, the melody morphs into a sort of latin-minded groove with portamento glides, edited accents and sharper hits. still keeping the passion and charm alive, the new demise accents francoiss tasteful tune while boasting contemporary excitement

you cant fool me, david is the starting point for the new founded label called what! what! records and especially for mike okay himself. the release is dominated by the interaction of electronic sounds and organic samples which, as a unit, builds up a sporty groove hilariously. the package is completed by fat remixes of tom deluxx, the sexinvaders and silkersoft.

after the >jamaica< reworks by dubfire and the mole, minilogue havent splashed out for the second remix ep of last years smash hit album >animals< either. the three versions of the homonymous lp title represent, at the same time, the whole bandwidth of contemporary electronic dance music. starting with multi-national vakant artist tolga fidan and his highly percussive prime time techno approach, whose oriental imprinting is not cagey about the turkish roots of the paris-based producer and – with the spoken voice reminding discreetly of minilogues 2008 club hit >doiicie<. a completely different direction is chosen by brendan moeller aka beat pharmacy. the south african-born protégé of ny house legend françois kevorkian on his deep space media label is interpreting >animals< within a mythical hypnosis of slagged deep house and deep dub techno, somewhere in between nu groove and basic channel, being one of the most visionary tracks in the beginning of 2009.

boriqua tribez is starting to be a well recognized name on the spilo imprint by now.. with 4 previous ep s, all being very popular, ending up in charts, dj sets and compilations all over the world. with already huge releases on labels like recycled loops, primate and last years spilo 014 we bring you another great piece of work from boriqua, past future ep.rainer gonaus aka boriqua tribez man, delivers like always with the peak time track thunder on the a side. on the b side is the track cracker, another slammer with its heavy hypnotic beats and sounds will ignite all dancefloors. aswell as the b2 track coconut

3 of 10 tracks written by paul and bob in a 48 hour marathon session in philadelphia (2000)!!

uoho ruotsi marks his fifth release on de fchild with an ep that explores a wide tonal and textural palette while indulging in his characteristic dub-influenced production. starting of with a deep textural excursion on bramble bramble, sweet bits & afternoon delighting flirt randily with the outer limits of sound-design & the form of songwriting as it pertains to modern tech-house.

we re starting off the new year with a brilliant theatrical ep from an artist that rhythmically knows how to pluck the sinewy line between music and art. hailing from the mountains of hungary, laurine frost delivers a body of work that is deep, energetic and full of life. like the nocturnal depths of his landscape these songs conjure stunning and perplexing scenes of mystery and the unknown. through his composition and sound manipulations laurine s tracks resonate the dialectic between cultures and traditions and possesses an inventiveness and mysticism that spawns a maelstrom of turbulence and mirth.

big with: carl cox, ali schwarz, josh wink, sebo k, brothers vibe, catz n dogz, laurent garnier, karotte, falko brocksieper, dave dk, martin landski, tricksi, dario zenker, shuri- kan, marco resmann, ed davenport, agnes, miss jools, kreon, cirillo, anthony collins, dyed soundorom, will saul, funk d void, james flavour, okain, federico molinari, andrew grant, .. the always in form freak n chic continue their early-2009 bombardment with a superb ep from newcomer djebali. dropping just in time for miami, the >lax ep< looks set to be another winner for the paris-based imprint as it oozes quality across all four of its, percussive house tracks. starting with the urgent, chicago vibes of >dont be forced<, the >lax ep< features tracks for every point in a set. while the aforementioned cut is peak-time, the sinister >california<is pure afterhours with its spooky synths and heavy funk bass drops.

nico purman (known from labels like crosstown rebels, mule electronic & vakant) is known for his unique dark and deep, yet funky sound, definitely the right man to bring us those first spring vibrationz...nico purmans first curle is already almost two years old. in fact he was one of the first people we contacted when we were in the process of starting up the label. simply because of his unique dark and deep, yet funky sound. at the time he had only released on modelisme, but in the meantime much respected labels such as crosstown rebels and mule electronic proposed him an ep, and also vakant took him under their wings. hailing from argentina, hes definitely the right man to bring us those first spring vibrationz...

first making waves after being played by sasha & digweed at wmc 2008, lalalalalala became something of an unsung classic with a simple yet unforgettable vocal. here, james harcourt produces a no nonsense dancefloor killer of a remix. starting deep, the track builds with an irresistible groove. the breakdown strips down to a pad, brings the guitars and synths from the original mix and builds to a massive crescendo and drop. on the flip, neoteric follows up his brilliant imprecation single on twisted frequency with a more intricate, musical take on the track. full of energy and emotion, this is progressive house at its finest.

part 1 of the new double-release from tiefschwarz aims at the heart of house music: soul. “on&on” is a first-class arranged club track. starting off with a wonderful mellow theme, that is adumbrated by the bass line in an one-and-a-half minute long exposition. the track ups the tempo with an additional hi-hat resolving into a shuffle beat. in double time, we move on towards the first break. here an edgy, minor key-chord sequence is introduced, making it obvious for everyone, that this track is gonna take off. eventually the keys function as a counterpoint to the classic bass line. a four-to-the-floor “on&on” vocal sample takes over after the break, adding another percussive aspect. as the track goes on a mulitiplicity of side elements sets in - no room for tediousness! in the end the “on&on” vocals resolve into “it’s so simple… . who knows, but this could be a broad hint to all the tech-house academics out there. no matter what, this grande finale raises a smile from every last sweaty soul on the dancefloor. with “best inn” on the b-side tiefschwarz create a dance classic, dressed in 2009 fashion. reminiscent of long gone nu-groove times, a traditional house beat - including a tiny off-beat tinker bell - blasts out of the speakers. a slured synth-organ provides the track with that certain edgyness. here, the brothers keep it laid-back yet exciting at the same time. this piece goes on and on and on - and you yourself run alongside, not wanting to pause. but watch out! at the latest in the second break, tiefschwarz put nostalgia to the test via some shockingly muffled metal drums. one of these moments, where you wish yourself back into the middle of an eight-hour deep-house set in 1992. the train departs. one thrillingly beautiful landscape after another runs by, until the warm sun strokes of the south suddenly rouse you out of slumber. arrived

first vinyl pressing since the original 1988 royal records lp issue. started as a rumor, or more likely a threat, royal trux burst from the belly of nyc cum dc scum punks pussy galore in 1986. disinclined to follow the path of their host group, royal trux began the process of exploring their own identity, starting with recordings given to the end of music as we know it compilation. the idiosyncratic album offered skeletal projections of songs that betrayed a singular logic groomed on bizarre and previously unconnected realms of the rock canon.

dino sabatini, a member of modern heads, is one of the famous italian producers. he has collaborated with dozzy records, mental groove, elettronica romana and meadow lark and he is a important part of the electronic music scene in rome and italy we are very proud to present a masterpiece of finest electronic music. with the no more ep we starting an unbelievable electronic journey with deep sounds, based on a magic carpet of decent acid tunes enclosed by a perfect smooth baseline and extraordinary percussion coverage. you can feel the italian flavor in each bpm and its a perfect tune for every dj set. enjoy !

very promising new label from new jersey starting with a sparkling, super deep 4 tracker from dj q & david s. from the dark, stripped down >warrior dance< to the organ chord driving, jumping >night ride< this covers various facets of oldschool inspired deephouse. for fans of omar s, jus ed etc

formed in 1997 by philipp albrecht (guitar), rene albrecht (drums) and christoph lenz (bass) - singer christian erne entered the band in 2000. since he left plenty enuff in 2007 philipp albrecht and jessica sigfalk took the micro power. plenty enuff have been experimenting with sounds from the sixties for almost ten years. starting off with a traditional type of ska they soon switched to a dark blend of roots reggae. their large amount of shows already brought them to the jazz festival of montreux this year.

consumer recreation brings us 4 slovenian artists, starting with umek, of course. quality techno, made in 2001.

ffms premium label for deep & minimal sounds qualitative high above standard dance stuff is back from the summer break. traditionally lnz mastermind pascal feos himself lights the lnz release oven and adds his label cataloque with two endurance track runners. it may surprise, how airly the runner with starting number 1 floats through the colourful wood of golden october, cheered on by moogy mild hookline that strokes the drum body. from time to time the race track passes some clearings, the chilling atmosphere of pascal feos side-project aural float waves at the horizon. but then he trots on and on embraced by the feeling of runners high. with the racing number 2 the >generator child< starts athletic but thoughtful on his tom tom-dymanic soles, more and more leading into an 808-hypnotic run on black asphalt. a >generator child< speech sample trails off in the dusk and an lfo-spiralled veil of mist twirls over the head of the scared kid.

after a longer break because of moving and starting a new company maschine is finally back with release number 15!play the music mixes by pierce and matt star .the original version on b2 was written by a new project from italy named ilario naples and paco experience. colognes pierce known for his releases and remixes on blufin, mbf etc. - on the a-side is taking it from a more hypnotic deep level and nicely builds up a rolling groovy playback. matt star one of the most uprising talents of the past months - on b1 using more of the original parts to create a nice atmospheric trip through the track

after the first aspekt of marcio kantana at large and positive response follows now is the disengagement of the new labels. the guys from digital report deliver with the strange ep an amazing starting debut. the tracks are rich variety in the style produced from 1001 nights and include oriental elements, bright beats and deep sounds. this record is hardly a plate suitcase missing. just as the track sahara says he is dry and will be produced each party guest to bring sweat. this much is certain. the b-side bakara is rather for 8uhr morning, to relax, celebrate with you but will not stand still. on the record are remixes of marcio kantana and dan reed

this brand new and long awaited follow up 12-inch single release by off the record is finally here! its been quite a while since their first release >robot gang ep< (sen-003) came out and took the dancefloors by storm. all the wait has been well worth though, as this talented duo is back on track with their trademark rough & raw drum sounds, killer breaks and bridges. such elements can be found directly from the starting track >tel aviv – japan<, which combines nicely minimalist techno / house sound architexture with simple, yet effective groove, and it grows humble and slowly to reach up its peak moment what goes like: splash! in ya face! there you have it! guaranteed to lighten up any dancefloors, it s dangerously explosive and has amazing flavour on the rocks! having said that, on demand producer and remixer ran shani (crosstown rebels, breastfed, cr2 records) was kind enough to contribute his absolutely fabulous and fantastic remix work of >in your mind< track. he pushed the track to the next level and came up with a truly club oriented pulsating dance track with extra crispy and tasty beats. rotating 360 degrees panorama effect on female vocals coming in as the track rolls further right after the break is surely enough to explode some minds on the dancefloors. watch this man out! perfect end to an extended play here is the only track offering a mini lovestory: >shes lost her mind> is a true and cold hearted, crucial story about a tech savvy clubgirl falling in love in a binary world full of zeros and ones, finding computers and turin machines sexually more attractive companions to better have fun with rather than getting accustomed to that old fashioned missionary position carried out by her human boyfriend. floating, dubby and rather melancholic, but definitely not a sad song! but one thing is for sure regarding that twisted story after all: someone has truly lost her mind somewhere along the way …

support by: slam, laurent garnier, gregor tresher, martin eyerer, danton eeprom, alexi delano,.. harthouse is proud to present you the new single of the french primary rock scan x. beginning his carreer in 1993 stéphane dri released noumerous tracks on noumerous labels since then and created an intellectual style of electronic music combined with pure dancloor power. so be prepared for the next dancefloor smasher from scan x. prism: starting with this licking kicks and the moldy synthesizer purr the prism starts reflecting all the dust and dirt that is hided in the doomed corners of the favourite underground dance machine placed in the basement

the finns from new judas are back with a new release to convince you all to believe the hype. this time pets on prozac meets obi blanche on a split 12 where tropical beats meets gypsy tech. pets on prozac hailing from helsinki, finland knows how to turn nocturnal melancholy into tropical psyche house. starting out as a noisy punk techno band back in 2005 the set up was a trio of handsome men all bringing a taste of their own into a solid blend. after getting their debut single out on uk label house cat recordings they quickly earned their fifteen minutes of nme fame and got recognition on the blog roll. obi blanche, the man behind the twitchin and grindin beat music he himself has dubbed hobo-tech has come a long way to greet you. the tech-savvy finn has travelled a winding road of differnt sounds from his position as a guitar vendor in the rural viking midlands to his current studio chair in his new haven berlin. starting out with a technics 1200 turntable and a numark mixer he began to produce hip hop beats in his teens, smoothly progressed via mod to idm and onwards to produce his nowadays sweaty hifi vs. analog electro mosh

!!!!!!strictly limited to 500 copies!!!!!! together with stefan goldmanns debut cd the transitory state, macro releases a strictly limited box set containing five 7? records holding the electroacoustic album voices of the dead. with his releases for innervisions, perlon and macro stefan goldmann has been a key figure at the cutting edge of post minimal techno and the renewal of house music. this album is a distinctively different affair though, reaching far beyond the scope of dancefloor electronics. starting a trilogy of concept albums, stefan goldmann searches for the common root of all music in an electroacoustic setting. from this album turret is already renowned as the intro sequence of richie hawtins groundbreaking de9 transitions mix compilation and was also commissioned by the biblioteque nationale de france for the imeb phonoteque public collection. the artist explains: at first sight we recognise upfront elements like a melody or rhythmic pattern, which we associate with a certain piece or style of music, but there is tension between two notes, hard-to-define background information that at a closer look is found everywhere - within the music of coltrane and stravinsky, death metal and 9th century byzantine chants. if there is anything like a total, secret common ground, than its this information lurking in the background. these are the voices of the dead, the heritage of an endless line of ancestors brought forward through the centuries. i tried to make these elements audible as clearly as possible. really like this weird space ambient one. ive put katorga and izo already into my final scratch computer and have been playing them! (richie hawtin on voices of the dead) record release event at berghain / panorama bar berlin on september 4th, 2008, feat. ricardo villalobos, mika vainio (pan sonic) and ulrich schnauss (tbc).

go hiyama has risen quickly to a position of international respect that few japanese techno producers can match. from his debut release on james ruskins coda label to his recent surgeon remixed single geometrical he has attracted continuous support from oscar mulero, james ruskin, surgeon, gayle san and many other djs at the cutting edge of techno. his sound is powerful but with an intricacy and ear to detail that shames most of the loop techno from a few years ago. for his first perc trax release he delivers 2 slices of powerful, detailed modern techno that follow on perfectly from geometrical. for the b-side remix perc trax is proud to have a deep dub techno mix from norman nodge. norman is resident at berlins infamous berghain club and the only producer apart from marcel dettmann to record for marcels own mdr imprint. norman has also just released the well-received track native rhythm electric on ostgut ton, which also featured on dettmanns recent berghain 02 mix album. as a dj, norman moved to his berghain residency after organising parties in easy germany, now as his production career flourishes he is starting to make his mark on the international circuit. this is normans first release on a non-german label and is a real coup for perc trax

following his acclaimed eps on force sense opposum rec & minisketch pablo rez is back and delivers here his first ep on frankie records titled “samurai ep” including 4 original tracks with titles directly in reference to japan and its unique atmosphere starting with a1 tokyo a groovy track with a bunch of quirky sounds, heady synths and catchy drums and a dose of weird bleeps makes it a great production with a warm groove on a2 shibuya in a more mental and melodic way with lil atmospheric accents is a perfect afterhours track

when sonic pioneers collide in an ideal setup within club culture dynamics, they do not just produce dents on the floor, but in fact amalgamate in a pliant way to stretch the space-time continuum by means of enrichment through sound. and knowledge. were we have such a mighty hook up: gerald simpson is known to be an innovator of electronic dance music. starting with manchester-based 808 state in 1988, sparking the fire of voodoo ray acid soul, measuring the black secret technology jungle, finding the essence of song based dance via new york city, he continues pushing evolutionary music processes since taking up residence in berlin. now he joins forces with the perlon visionary community of unfathomable deepness and unrivalled sound design always leaving room for novelty, scientific curiosity and blasting mind frames

x.l.r.8.r., the new label from marc o’tool, sends its second release into the race. as a label pendant to mauritius, which can look back on diverse successful releases such as criss source >hugs’n’kisses<, marc o’tool >the sinner in me< and productions from björn mandry, ballroom and marc vision, the team on x.l.r.8.r. approaches things more technoid, rougher and dirty. after the label premiere >showtime< already secured the label a place among the front starting positions of the techno grand prix and according the motto >never change a winning team<, the second release again counts on the dream-team criss source & marc o’tool

with already massive support from jocks like technasia, valetino kanzyani, mauro picotto, james kameran and many more chris liebing is starting a new label called spinclub recordings. the first release is by spinclub resident dj emerson, already known for his releases on kiddaz fm and microfon. on this first ep on scr, dj emerson features his familiar dry techno. to the efficiently and solidly working cut the crap on the a-side, he opposes with the spectacular mr. nice on the b-side. mr nice starts off in a restrained way. in the break you could almost think it would lose itself in an ocean of delay, if, yeah if not suddenly this striking bassline would emerge. it starts rolling, turning the track around 180 degrees, transforming it into a rampaging peaktime monster. for the one who wants to put an exclamation mark in his set, voila

played by afrilounge, chris liebing, d julz, dj emerson, h.o.s.h., holgi star, jesse rose, joel mull, laurent garnier, paco osuna, par grindvik, ripperton, rob mello, solomun, thomas schumacher and others !! alex niggemann has been releasing on labels as diverse as get physical, meerestief, moonpool and sportclub. he impressed the micro.fon guys with his outstanding interpretation of smokemachine, released on the affiliated label freak waves. circles is a wonderful track starting quite easy and developing into a huge anthem with wonderful mars attack sounds and a weird expanding and contracting, analogue-sounding synth-line,...wonderful tune destined to be played out on crazy ibiza partys and drugged-out berlin after hours....cut b1 is the einzelkind (get physical, kindisch, playhouse) rmx, a huge wonderful swinging rhythmic house interpretation fuseing an percussive old school house groove with deep techno chords. b2 comes the funk fueled tech house cut transitions a wonderful late-night-tool with a nice techno appeal and huge soundwork,.... delicate 3 tracker

we are very proud to present the debut of 21 year old tim toh, a fresh producer with such a huge talent and character in his tracks, we guess, we didn t hear for the last decade in house music! that s a big goal to claim, but it s also the reason, we signed him for a three-part series called >join the resistance< and this is part 1. the a-side is like an intro to the whole series, starting with some charming detroitish-sequences and a smooth piano, while the beat shapes itself naturally out of the track with raw percussions and a thumpin kick... from then on it twists and turns into sweet eternity…timeless! the b-side is beatdown rhythmic wizzadry and a tool par excellance, polyrhythmic percussions and a beat that will shake every floor you dare to play it

after a long break jel fords legendary detroit influenced techno label returns with a series of new releases starting with this brand new deep smash from techno legend dave angel. the original itself is a superb warm tech house builder with incredible depth and feel. on the flip fresh from his recent success with his enormous drumcode releases ortin cam delivers a superb dancefloor monster retaining the depth and feeling of the original but adding an epic dancefloor feel. look out in the near future for a stream of new material from established and new artists as well as new artwork coming in the summer

5 premium disco cuts edited & updated by mikeburns. starting in the funkier realms of disco, then moving on to the full on spaced out stuff and ending on a real classic 80s note, this ep has it all, complete with dubby effects, freaky synth lines and improved mixability

here comes a real trip through the horny nightlife of the big city of art in barcelona/spain. 4 totally different and 100 percent funny tracks, starting from vocal techno - over to drum n bass - and finish with a trippy taste of industrial hardtek! not to be miss... it s our last release in 2007, and a very strong winter release for all the techno maniacs out there.